Eurovision 2019 Song Ranking Part 8
5. Portugal
Conan Osiris –
“Telemoveis”
The common reaction
to this song is something like “unlike anything else” or “sounds
like the future” or “this is incomprehensible art” or even
“unlike what I usually listen to.” I have to disagree.
“Telemoveis” is the music of now albeit in a beautifully
Portuguese variation, a Soundcloud-esque blend of chill and
melancholy except the melancholy is kind of saudade. This is the
perfect accompaniment to a bus or train trip.
Thank you Festival da Cancao for introducing me to this amazing
artist, for I have now heard his back catalog and it’s all good if
not even better. Before there was “I’m taking my Pikachu home”
there was “SURFIN ALAPRAS.”
4. Italy
Mahmood – “Soldi”
Definitely more
fresh and Spotify than typical Italy, this song is captivating and
dynamic. The instrumentation changes from tense piano and strings to
an electronic beat and iconic handclaps flawlessly. It still has that
Sanremo wordiness – there’s something about Italian that makes
having a lot of syllables sound good. Even if you don’t understand
Italian you can tell there’s a story and real pain behind this.
3. Norway
KeiiNO - “Spirit
In the Sky”
What else can you
say about this song? My tastes outside of Eurovision have moved away
from standard pop lately but I will never stop loving schlager
Europop, and “Spirit In the Sky” is as Europop schlager fanbait
as you can get. The joiking is a nice touch to both make it unique
and add local flavor. As many have pointed out, it sounds like
“Monsters” in the chord progression but not exactly in melody, so
it’s far rom a copy. It’s not particularly fresh at all and could
have entered in any Eurovision since the mid-00s, but I don’t care.
2. Cyprus
Tamta - “Replay”
Round two of
Cyprus’s tropical pop domination, although less Mediterranean and
more electronic like the 808 the lyrics reference. The big brass
horns in the chorus are commanding, and the pre-chorus is the best
tension-building moment in the whole contest. A song to listen to on
replay again and again.
1. Iceland
Hatari – “Hatrið
mun sigra”
“Hatrið mun
sigra” is a banger and a blessing. The growling verses and falsetto
synthpop chorus a perfect contrast, reflecting the conflict in the
song that is very relevant. The industrial darkwave music is matched
by their visual style. The band itself is at the intersection of
indie music festival fare, art school collective, and boy band, a joy
to follow. This is one of Iceland's best entries if not the best, and I need to go book a flight to Iceland to see them ASAP.
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