Ten Versions of The Christmas Song, Ranked
What better music to rank this time of year than Christmas music? “The Christmas Song” was written in 1944 and first performed in 1946 by Nat King Cole, whose version is still the definitive version. It is among those Christmas songs that originated in the “Great American Songbook” period and might as well have existed forever for most people alive. It's far from my favorite Christmas song. Here are ten versions of “The Christmas Song” selected off Spotify, ranked.
10. She & Him
Can't stand her
voice, and this version is too moody. At least it's short. 1/5
9. Michael Buble
Can't stand his
voice either. If you want jazzy, just listen to the original version.
1/5
8. Christina Aguilera
This song is a good
minute longer than the other versions. There's a far too long bell
introduction. Christina does her usual diva vocal riffs over a
stripped down piano instrumental. It's a little out of place. Too
many “ooooh yeeeeah”s for this song. 2/5
7. NSYNC
In a cheesy genre
(Christmas music) meeting another (boy bands), this is especially
cheesy. The backing vocals are a bit much. 2/5
6. Celine Dion
This was my
favorite Christmas album for a long time, but this isn't the best
song on there. It's a little too sedated, and doesn't show off the
full power of Celine's voice. 3/5
5. Josh Groban
His voice sounds
fine, but more than the others he sounds a bit silly, and like he
knows it. The instrumental is very mid-century musical, very
traditional. 3/5
4. Erasure
This is practically
chiptunes. A very fresh take on the song, but maybe a little
difficult to play at all but the hippest/nerdiest parties. 4/5
3. Whitney Houston
There's a lot of
“ooooh yeeeeah”s here too, but also a very appropriate “ooooh
Lord.” Her vocal riffs are flawless. 4/5
2. Stevie Wonder
This recording is
from 1967, early in his career. Despite being 30-40 years older than
many of these other recordings, it sounds much fresher and livelier.
The harmonica solo makes this version stand out. 5/5
1. Mary J. Blige
Mary's voice sounds
wonderfully clear here. Beautiful and straight to the point. No
excessive orchestral instrumentation or vocal affectation. 5/5
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